Roberto Coin

1924 Gazette Du Bon Ton - Un Peu D'Histoire -A Little History - Pochoir Sketches

Description: A charming and original two-page extract from the famous Gazette Du Bon Ton magazine (see below) published in November 1924. The title of this article is "Un Per D'Histoire" or A Little History, embellished with pochoir illustrations (a bit gruesome!) by Pierre Brissaud - see below - and text by J.N.Faure-Biguet - see below Many of the famous Art-Deco artists of the day contributed illustrations to the magazine which were printed by using the hand-applied, color pochoir technique . Good condition. Two pages, four sides with central fold as published. Binding holes to the fold. Page size 10 x 7.5 inches See more of these in Seller's Other Items which can be combined for mailingGazette du Bon TonFrom Wikipedia, the free encyclopediaJump to navigationJump to searchCover of a 1920 edition of La Gazette du bon ton.The Gazette du Bon Ton was a small but influential fashion magazine published in France from 1912 to 1925.[1][2] Founded by Lucien Vogel, the short-lived publication reflected the latest developments in fashion, lifestyle and beauty during a period of revolutionary change in art and society.[1] Distributed by Condé Nast, the magazine was issued as the Gazette du Bon Genre in the USA.[3] Both titles roughly translate as "Journal of Good Taste"[4] or "Journal of Good Style."[3]Contents1Elitism and arts focus2Fashion illustrations3Footnotes4Works citedThe magazine strove to present an elitist image to distinguish itself from larger, mainstream competitors like Vogue and Harper's Bazaar in America and Femina, Les Modes and L'Art et la Mode in France.[5] It was available only to subscribers and was priced at a steep 100 francs per year, or $425.61 in today's money.[6]The magazine, published on fine paper,[2] signed exclusive contracts with seven of Paris' top couture houses – Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth – to reproduce in luscious pochoir the designers' latest creations.[6] After World War I, a select group of other design firms were added to the magazine's repertoire, including the houses of Beer, Lanvin, Patou and Martial & Armand. However, the editors' choice of designers was arbitrary, and a number of the era's most prominent couturiers never contributed to the pages of the Gazette du Bon Ton, among them Chanel and Lucile. The magazine's title was derived from the French concept of bon ton, or timeless good taste and refinement.[4]The Gazette du Bon Ton aimed to establish fashion as an art alongside painting, sculpture and drawing. According to the magazine's first editorial: "The clothing of a woman is a pleasure for the eye that cannot be judged inferior to the other arts."[4]To elevate the Gazette's literary status, the publication featured essays on fashion by established writers from other fields, including novelist Marcel Astruc, playwright Henri de Regnier, decorator Claude Roger-Marx, and art historian Jean-Louis Vaudoyer.[6] Their contributions ranged in tone from irreverent to ironic and mocking.[6]A George Barbier illustration of a Jeanne Paquin gown, published in the March 1914 GazetteThe centerpiece of the Gazette was its fashion illustrations.[7] Each issue featured ten full-page fashion plates (seven depicting couture designs and three inspired by couture but designed solely by the illustrators)[7] printed with the color pochoir technique.It employed many of the most famous Art Deco artists and illustrators of the day, including Etienne Drian, Georges Barbier, Erté (Romain de Tirtoff), Paul Iribe, Pierre Brissaud, André Edouard Marty, Thayaht (Ernesto Michahelles), Georges Lepape, Edouard Garcia Benito, Soeurs David (David Sisters), Pierre Mourgue, Robert Bonfils, Bernard Boutet de Monvel, Maurice Leroy, and Zyg Brunner. These artists, rather than simply drawing models in outfits, depicted them in various dramatic and narrative situations. Pierre BrissaudFrom Wikipedia, the free encyclopediaJump to navigationJump to searchLouise Chéruit dress illustrated by Pierre BrissaudPierre Brissaud (23 December 1885 – 17 October 1964) was a French Art Deco illustrator, painter, and engraver whose father was Docteur Edouard Brissaud, a student of Docteur Charcot. He was born in Paris and trained at the École des Beaux-Arts and Atelier Fernand Cormon in Montmartre, Paris. His fellow Cormon students were his brother Jacques, André-Édouard Marty, Charles Martin, Georges Lepape. Students at the workshop drew, painted and designed wallpaper, furniture and posters. Earlier, Toulouse-Lautrec, van Gogh, and Henri Matisse had studied and worked there. His older brother Jacques Brissaud was a portrait and genre painter and his uncle Maurice Boutet de Monvel illustrated the fables of La Fontaine, songbooks for children and a life of Joan of Arc. A first cousin was the celebrated artist and celebrity portrait painter Bernard Boutet de Monvel.Brissaud is known for his pochoir (stencil) prints for the fashion magazine Gazette du Bon Ton published by Lucien Vogel, Paris. Many of his illustrations are realistic leisure scenes of the well-to-do. They illustrate the designs of Paris fashion houses such as Jeanne Lanvin, Chéruit, Worth, and Doucet. Brissaud's illustrations appeared in Vogue after it bought Bon Ton in 1925, as well as House & Garden and Fortune, and in books like Madame Bovary, Manon Lescaut, Mémoires de Saint-Simon, the autobiographical novels of Anatole France, Two gentlemen of Verona and many others.In 1907 he exhibited at the Salon des Indépendants and the Salon d'Automne.Bibliography[edit]Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs, Emmanuel Bénézit, Pub, Paris, Gründ, 1999 ISBN 0-8288-5635-4Dizionario della moda by Mariella Azzali, Pub. Calderini; ISBN 88-7019-471-XExposition de peintures... Pierre Brissaud..., Louis Vauxcelles, pub. Devambez, (art dealers), Paris, 1909, (N. Y. Pub. Lib.)French Fashion Plates in Full Colour from the Gazette du Bon Ton (1912–1925), Lepape et al., N. Y., Dover, 1979 ISBN 0-486-23805-9Les Petits Maitres de la Peinture valeur de demain 1820-1920 by Gérald Schurr, pub. Les Editions de l'Amateur, Paris, 1975Pierre Brissaud Jean Dulac, pub. Henri Babou, 1929, Paris, (Getty Mus. Lib. & N. Y. Pub. Lib.)Pierre Brissaud: La grande époque, Paris 1909 - 1929, l'art et laJacques-Napoleon Faure-BiguetFrench writerAbsent in EnglishAutomatic translationContributeFor homonymous articles, see Faure-Biguet .Jacques-Napoleon Faure-Biguet , born onOctober 1 , 1893in Paris 9th and died onJuly 18 , 1954au Vésinet [ 1 ] is a writer , journalist , biographer and author of detective novels under the pseudonym of Jacques Decrest . He is the grandson of General Paul-Vincent Faure-Biguet .Jacques-Napoleon Faure-BiguetBiographyBirthOctober 1 , 1893 9th district of ParisDeathJuly 18 , 1954(at age 60) Le VésinetPseudonymJacques DecrestNationalityFrenchActivitiesNovelist , journalist , biographerDadCharles Faure-BiguetOther informationWorked forI'm everywhereartistic genresNovel , crime novel , biographyHonorsNarcisse Michaut Prize (1931) Grand Prize for Detective Literature (1951)Primary worksSmoke without fireThe Dead BrideThe Childhoods of MontherlantSignatureedit - edit code - edit WikidataSummarybiography elementsDeclared in the civil status as Paul-Marie-Charles- Jacques Faure-Biguet, he received at his baptism the first name of Napoléon with the authorization of Prince Victor Napoléon , whose father Jacques, Charles Faure-Biguet , was a faithful partisan.Jacques-Napoléon Faure-Biguet studied in Paris and was a fellow student of Henry de Montherlant to whom he devoted two works.After the war, he directed the detective novel collection Le Labyrinthe .worksUnder the name of J.-N. Faure-BiguetPoems, 1914-1915 . S. Escoffier, Nizza 1916The Dead Bride . Flammarion, 1925Prisoners of Love . Flammarion, 1926The Prisoner of the Seas . Editions of the New Critical Review, 1927Passages of The Bird . Editions Victor Attinger, 1929Letters from Laure Surville de Balzac .1932.The Pillar of Clouds . Editions de Flore, Paris 1948Maurice Barrès, his work . Paris 1924Montherlant, man of the Renaissance . Plon, Paris 1925Gobineau "The novel of great existences" . Plon, Paris 1930Narcisse-Michaut Prize of the French Academy 1931King Alexander I of Yugoslavia . Plon, Paris 1936Little Sister Therese . Plon, Paris 1937Les Enfances de Montherlant (from nine to twenty years old) . Plon, Paris 1941General Leclerc . Plon, Paris 1948Under the name of Jacques DecrestCommissioner Gilles seriesChance , Gallimard, 1933The Sunday Evening Rendezvous , NRF, 1935The Little Girl from Bois-Colombes , NRF, 1936The Dagger-Bird , NRF, 1936The Seventh Day Truth , NRF, 1939The Black Mountain Ball , Gallimard, 1941Three Thursdays Week , Pierre Horay, 1946Rooms without locks , Ed. de Flore, 1949The Man of Three Nights , Ed. de Flore, 1950Fumes sans feu , (in collaboration with his wife Germaine Decrest), Ed. de Flore, 1951, Grand Prize for Detective Literature 1951The Upper House , Ed. de Flore, 1952The Office of Darkness , Ed. de Flore, 1952The Drum of the Dunes , Ed. de Flore, 1953The Salon des Oiseaux , Ed. de Flore, 1954Six arms in the air , Ed. de Flore, 1954God measures the wind , Ed. de Flore, 1955The Accomplices of Dawn , Ed. de Flore, 1955The Three Maidens of Vienna, Paperback , 1965§

Price: 6.5 USD

Location: Los Angeles, California

End Time: 2024-09-13T15:13:11.000Z

Shipping Cost: 3.5 USD

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1924 Gazette Du Bon Ton - Un Peu D1924 Gazette Du Bon Ton - Un Peu D1924 Gazette Du Bon Ton - Un Peu D1924 Gazette Du Bon Ton - Un Peu D

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Type: Pochoir Prints

Print Type: Engraving

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